Newstral
Kore Eda Hirokazu
- K2 Pictures Seeks to Break Japan’s Production Committee System of Conservative Filmmakingvariety.com
- Korea Box Office: ‘12.12: The Day’ Takes Fourth Weekend Win, Advances to $63 Millionvariety.com
- Korea Box Office: ‘Napoleon’ Opens in Third Place, as ‘12.12: The Day’ Hits $50 Millionvariety.com
- Korea Box Office: Political Thriller ‘12.12: The Day’ Enjoys $13 Million Second Weekend Haulvariety.com
- ‘Monster’ Director Kore-eda Hirokazu on Working With Composer Ryuichi Sakamoto on One of His Last Musical Compositionsvariety.com
- Toronto Film Festival to Lose Lead Sponsor Bell After 28 Yearsvariety.com
- Sean Penn Calls AI a ‘Human Obscenity,’ Slams Producers Guild as a ‘Bankers Guild’variety.com
- ‘Monster’ Review: Kore-eda Hirokazu Hides Surprise Plea for Acceptance Beneath Much Darker Themesvariety.com
- ‘Ant-Man And The Wasp: Quantumania’ Continues U.K. Box Office Reign, ‘Cocaine Bear’ Makes Strong Debutvariety.com
- DReel Thoughts: ‘Thank you for being born’: ‘Broker’ explores brokenness through the lens of dignity and caredailynorthwestern.com
- BKore-eda’s crime story ‘Broker’ is beautifully, heartbreakingly sadbohemian.com
- Sakamoto Ryuichi Providing Score for Kore-eda Hirokazu’s ‘Monster’ – Global Bulletinvariety.com
- Japan’s Sabu to direct Korean-Language Thriller ‘Under Your Bed’variety.com
- Netflix’s ‘First Love’ Is Sign of Growing Global Success for Japan Series Contentvariety.com
- CKore-eda Hirokazu returns to Japanese Filmmaking with ‘Monster’centralrecorder.com
- Kore-eda Hirokazu Signals Return to Japanese Filmmaking With ‘Monster’ variety.com
- Actor or Actress? Matsuoka Mayu Debates Japan’s Film Industry Attitudes With Kore-eda Hirokazuvariety.com
- ‘Ajoomma’ Director He Shuming on how Korean and Singapore Film Crews Bonded Over Food and Golfvariety.com
- Cannes Film ‘Broker’ Tops Korean Box Office on Opening Dayvariety.com
- Cannes: Kore-Eda Hirokazu Says ‘Broker’ Is the Story of a Family of Choicevariety.com
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